{"id":6117,"date":"2023-06-08T08:31:19","date_gmt":"2023-06-08T06:31:19","guid":{"rendered":"https:\/\/pipol11.pipolcongres.eu\/2023\/06\/08\/lordre-et-la-liberte-phenicia-leroy\/"},"modified":"2023-06-08T22:33:33","modified_gmt":"2023-06-08T20:33:33","slug":"order-and-liberty-phenicia-leroy","status":"publish","type":"post","link":"https:\/\/pipol11.pipolcongres.eu\/en\/2023\/06\/08\/order-and-liberty-phenicia-leroy\/","title":{"rendered":"Order and liberty \u2013 Ph\u00e9nicia Leroy<\/em>"},"content":{"rendered":"

Ohad Naharin is a dancer and choreographer of contemporary dance. Since 1990, he has been the resident choreographer of the well-known Batsheva Dance Company<\/em>, based in Tel-Aviv. He has also developed a teaching method, Gaga dance, which he describes as a \u201ctoolbox\u201d for professional and amateur dancers, enabling them to explore movement through sensations and decoordination among others, thus overcoming the limits of the body.<\/p>\n

O. Naharin\u2019s creations, interpreted by the dancers of the Batsheva Dance Company<\/em>, systematically contain a gestural and emotional power that offers the spectator an extraordinary experience.<\/p>\n

In his latest creation, MOMO<\/em>[1]<\/a> (in which the dancers are co-choreographers), four men dressed in military-style trousers step out on stage as a single body and remain there for the duration of the performance. Their choreography uses clich\u00e9s of virility, their precise and cadenced steps follow one another, they move together, carry each other, lean against each other, shout in unison, like a welded block: sentinels? brothers? comrades?<\/p>\n

A man in a pink leotard appears, another in a tutu. Then, as we go along, other dancers, mismatched, join in, one by one. Their movements are fluid, disorderly, singular and seem almost improvised. Their incomparable bodies pulse, leap, twist, stretch.<\/p>\n

Order and liberty rub shoulders and respond to each other on stage. These states are not in conflict and one might even assume that one is necessary for the other. And although the dancers end up interacting and influencing each other, they leave just as they arrived, it is repeated… or almost.<\/p>\n

In his artistic work, O.\u00a0Naharin investigates the paradox, without eliminating it: how to combine delicacy and power, or mastery and lightness?[2]<\/a> Through movement, he tries to bring together what doesn\u2019t belong together; he searches around the impossible and the failure.<\/p>\n

The elements that run through MOMO<\/em> resonate with the contemporary criticism of patriarchy: virility, violence, domination, emancipation, struggles, fluidity, minorities… However, O.\u00a0Naharin does not impose a one-sided reading, he articulates; and in so doing, he relies on the power of movement to subtly leave the task of interpretation to the spectator.<\/p>\n

Thus, dance, writing, cinema, photography are all ways of dealing with the real of existence, as you will read in the texts by Philippe Lacad\u00e9e, Dani\u00e8le Olive, Claire Debuire and \u00c9milie Diallo that make up this issue of Noboddady<\/em>. These are completed with texts by Agnieszka Kurek, David Briard, Romain Aub\u00e9 and Simon Darat, all of whom agree on the need for psychoanalysis, that is to say that psychoanalysis is oriented by what constitutes the hole for each parl\u00eatre<\/em>.<\/p>\n

References from the author:
\n[1]<\/a> Naharin O., Cohen A., & al, \u201cMOMO\u201d, Batsheva Dance Company<\/em>, Chaillot, national dance theatre, 2022, on view until 3rd<\/sup> June 2023 at La Villette in Paris.
\n[2]<\/a> Cf Heymann T., Mr Gaga, in the footsteps of Ohad Naharin<\/em>, documentary, Heymann Brothers Films, Israel, 2015.<\/p>\n

Translation: Ana-Marija Kroker
\nProofreading: Benjamin Wimmer<\/p>\n

Picture : \u00a9 Nathalie Crame<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Ohad Naharin is a dancer and choreographer of contemporary dance. Since 1990, he has been the resident choreographer of the well-known Batsheva Dance Company, based in Tel-Aviv. He has also developed a teaching method, Gaga dance, which he describes as a \u201ctoolbox\u201d for professional and amateur dancers, enabling them to explore movement through sensations and […]<\/p>\n","protected":false},"author":3,"featured_media":6103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[189],"tags":[],"jetpack_featured_media_url":"https:\/\/pipol11.pipolcongres.eu\/wp-content\/uploads\/2023\/06\/leroy.crame_.jpg","yoast_head":"\nOrder and liberty \u2013 Ph\u00e9nicia Leroy - Pipol11<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pipol11.pipolcongres.eu\/en\/2023\/06\/08\/order-and-liberty-phenicia-leroy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Order and liberty \u2013 Ph\u00e9nicia Leroy - Pipol11\" \/>\n<meta property=\"og:description\" content=\"Ohad Naharin is a dancer and choreographer of contemporary dance. Since 1990, he has been the resident choreographer of the well-known Batsheva Dance Company, based in Tel-Aviv. 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